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Document Type
Text
Broad Creation Date
2024
Language
English
Location
Portland
Abstract
The technological advancements of recent history have undeniably led to greater comfort in some parts of the world. These technological advancements stem from a pursuit of mastery in scientific endeavors. At their limit, however, these advancements also serve to isolate human beings from one another and from the world they occupy leading to an increase in mental health issues and a lack of empathy. This project addresses this problem by asking, “What if human beings turned toward the pursuit of an aesthetic type of mastery alongside a scientific one?” and “What would comprise the practice of such mastery?” I will argue that the artistic study of the phenomenological world of appearances is the simultaneous practice of empathy which harbors a spiritual connectivity between subject and object. Using Georges Bataille’s notion that the subject is indistinguishable from the object at the limits of the object’s study, Friedrich Nietzsche’s consideration of amor fati, and Soren Kierkegaard’s consideration of sacrifice, Love, and union with God, I will paint a picture of an aesthetic mastery that is grounded upon sincerity, detached-empathy, and patience.
Disciplines
Aesthetics | Arts and Humanities | Ethics and Political Philosophy | Philosophy
Publisher
Institute for Doctoral Studies in the Visual Arts
City
Portland ME
Recommended Citation
Bess, Eric Anthony, "Emptiness and Empathy: An Artistic-Philosophical Study of Mastery" (2024). Academic Research and Dissertations. 62.
https://digitalmaine.com/academic/62
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