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Document Type
Text
Exact Creation Date
2023
Language
English
Location
Cumberland County; Portland
Abstract
This dissertation proposes a new approach to soil remediation that I term becoming soil. Becoming soil seeks to help reclaim soil’s aesthetic dimensions, dimensions where soil is dynamic and alive. I argue that soil remediation is an artistic, creative, and collaborative practice that goes well beyond a romantic attempt to recover a lost fertile ground. Instead, it invites the senses to become invested in the continuous processes that keep soil alive. Furthermore, the dissertation reveals the hidden aesthetic underpinning of soil depletion, a crucial environmental problem, while offering creative means to resist the massive and adverse impact that humans have on soil. To this end, the subject of Becoming Soil is examined through five operational questions: a) What is Value? b) What Hides? c) What Remains? d) What Resurfaces? and e) What is Recovered? That correspond to the five artworks by artists Claire Pentecost’s Soil-Erg (2012), Frances Whitehead’s SLOW Clean-up (2008-10), Mel Chin’s Revival Field (1991—ongoing), Jea Rhim Lee’s Infinity Burial Project (2009—ongoing), and Wormfarm Institute creative initiatives on art and agriculture, Fermentation Fest (2010—ongoing). I answer these questions in the light of contemporary ecological theory; more precisely, eco criticism and eco materialism, than like fermentation, are methods of transformation (a giving and and taking in reciprocity) that benefit both the aesthetic and scientific aspects of soil remediation. These methods make tangible transdisciplinary collaborations possible. Illuminate the impact of humans on soil, becoming soil reveals the possibilities for new artistic, scientific, economic, social, and political engagements that are soil centric. Moreover, becoming soil amplifies the aesthetic dimensions of soil remediation, helping to restore the sensual experiences of eating nutritious food, standing on solid ground, and the enigmatic return to the soil in death.
Disciplines
Aesthetics | Art Practice
Publisher
Institute for Doctoral Studies in The Visual Arts
City
Portland ME
Recommended Citation
Tinajero, Maria Patricia, "Becoming Soil: Five Contemporary Cases in Eco Materialism (On Art, Fermentation, and Soil Remediation)" (2023). Academic Research and Dissertations. 45.
https://digitalmaine.com/academic/45
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